Latin Music from Old Style to Modern One

The many cultures of South and Central America andperformed in a variety of forms throughout the
the Caribbean islands blend American Indian, Africancontinent, such as the copla of Colombia, the Andean
and European (particularly Spanish and Portuguese)countries and Argentina. Other folksongs, such as the
traditions. In folk music, the particular combination ofArgentinian and Chilean Tonadas and Tonos, also
elements varies from region to region, from the purelypreserve old Spanish literary forms. In contrast to the
Indian forms of highland Bolivia and Amazon rainthriving Anglo-American tune repertory of the USA,
forests peoples to the mestizo ('mixed') music ofhowever, few extant Iberian melodies are current in
Bolivia, Peru and Ecuador, the largely Hispanic music ofLatin America except the Hispanic children's repertory,
Argentina, and the distinctive style of Brazil, whichwhich is similar in its Old and New World settings. In the
blends African and Portuguese forms. Minorities suchAndean region of Bolivia, Peru and Ecuador, indigenous
as the East Indians of Trinidad and Guyana, theIndian music has absorbed Spanish elements, a
Javanese of Surinam and the Japanese of Brazilprocess that began under the influence of 16th-century
complete this rich musical scenario.Christian missionaries. Andean tunes are essentially
Less Iberian heritage has in general been preserved inEuropean, but often have much repetition and use
Latin America than British in North America; manytetratonic and pentatonic scales. This blend stands in
areas are devoid of Latin influence. But some Hispaniccontrast with the marked lack of acculturation
poetic forms dating from the Middle Ages andbetween Anglo and Indian style in North America.
Renaissance (for example the romance) are